Friday, February 16, 2007

Richard Wilbur, "For C."

After the clash of elevator gates
And the long sinking, she emerges where,
A slight thing in the morning's crosstown glare,
She looks up toward the window where he waits,
Then in a fleeting taxi joins the rest
Of the huge traffic bound forever west.

On such grand scale do lovers say good-bye—
Even this other pair whose high romance
Had only the duration of a dance,
And who, now taking leave with stricken eye,
See each in each a whole new life forgone.
For them, above the darkling clubhouse lawn,

Bright Perseids flash and crumble; while for these
Who part now on the dock, weighed down by grief
And baggage, yet with something like relief,
It takes three thousand miles of knitting seas
To cancel out their crossing, and unmake
the amorous rough and tumble of their wake.

We are denied, my love, their fine tristesse
And bittersweet regrets, and cannot share
The frequent vistas of their large despair,
Where love and all are swept to noghtingness;
Still, there's a certain scope in that long love
Which constant spirits are the keepers of,

And which, though taken to be tame and staid,
Is a wild sostenuto of the hear,
A passion joined to courtesy and art
Which has the quality of something made,
Like a good fiddle, like the rose's scent,
Like a rose window or the firmament.

~

From Mayflies (2000)

1 comment:

Anonymous said...

Here are some little love poems that I love, starting with a Sappho fragment (trans. Anne Carson):

I love you, Atthis, once long ago
[]
a little child you seemed to me and graceless.

-----

and Dickinson:

Least rivers - docile to some sea.
My Caspian - thee.

-----

and, Richard Brautigan, for the slightly disturbing hell of it:

Horse Child Breakfast

Horse child breakfast,
what are you doing to me?
with your long blonde legs?
with your long blonde face?
with your long blonde hair?
with your perfect blonde ass?

I swear I'll never be the same again!

Horse child breakfast,
what you're doing to me,
I want done forever.